Search results for " sonnet"

showing 5 items of 5 documents

New ways of looking into handwritten miscellanies of the seventeenth century: the case of “Spes Altera”

2020

A large number of copies of Shakespeare’s Sonnet 2 circulated in handwritten miscellanies from the second quarter of the Seventeenth Century. Eleven of those copies have significant variant readings that have led critics to put forward different hypotheses regarding their nature and quality. Most critics, taking into account stylometric analyses, have regarded them as early drafts of Shakespeare’s printed version, and have agreed on their poor quality.By paying due attention to the text’s context of production and reception, we have reached a different conclusion regarding both the nature and quality of the handwritten versions of Sonnet 2. In our view, they are the product of a conscious r…

Cultural StudiesLinguistics and LanguageHistoryLiterature and Literary Theorymedia_common.quotation_subjectContext (language use)PE1-3729handwritten miscellaniesLanguage and LinguisticsPoor qualitySonnetshakespeare sonnet 2Quality (business)media_commonLiterature1630Poetrybusiness.industry“spes altera”rewritingEnglish language1609 quartoClose readingLine (text file)businessCoherence (linguistics)Journal of English Studies
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"Man Jack the man is": An Analysis of Gerald Manley Hopkins' sonnet The Sheperd's Brow

2020

Although the sonnet The Shepherd’s Brow, written by G. M. Hopkins only a few months before his death, has been considered by Robert Bridges an unfinished work, critics have gradually tended to agree that it is one of the poet’s most refined and powerful poems, structurally and thematically. W. H. Gardner has read in it a “Swiftean cynicism”, while other more recent scholars have defined it “conflicted” (Mariani), “ironic and damned” (Feeney), and above all “cryptic” (Sobolev). Often studied as an ideal appendix to the so called “terrible sonnets”, by offering a close-reading of the sonnet this article argues that The Shepherd’s Brow is one of Hopkins’ most powerful poems, marking an importa…

G. M. Hopkins. Victorian poetry. The form of the sonnet.Settore L-LIN/10 - Letteratura Inglese
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Metastasio sul letto di Procuste. A proposito di due sonetti per nozze

2021

Metastasio wrote a limited number of sonnets, and in various letters expressed deep perplexities about the value and the efficacy of this poetic form. A recent edition of his “Poesie”, edited by Rosa Necchi in 2009, offers the twenty-nine texts approved by the author as well as six more ones discovered from the end of the Eighteenth Century up to recent times. The article adds to this corpus two forgotten sonnets included in epithalamic anthologies printed in Naples in 1717 and in Rome in 1722 respectively, and illustrates their unexpected subsequent re-uses.

Pietro Metastasio sonnetSettore L-ART/07 - Musicologia E Storia Della MusicaSettore L-FIL-LET/10 - Letteratura Italiana
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Le sonnet : "Je suis la contrainte!"

2014

L’OuLiPo, Ouvroir de Littérature Potentielle, créé en 1960 par Raymond Queneau et François Le Lionnais, pousse le débat concernant le canon littéraire dans une direction tout à fait différente de toute autre tendance avantgardiste. L’OuLiPo établit en effet un rapport nouveau avec les Anciens, qu’il ne soumet pas à une dynamique destructive mais à une réévaluation par une nouvelle interprétation. Ainsi, dans l’intention de construire son arbre généalogique et de respecter une perspective historique, l’OuLiPo repropose des oeuvres oubliées et relit des oeuvres déjà consacrées par la tradition, pour englober « passé, présent, futur, en un mot l’éternité

Settore L-LIN/03 - Letteratura FranceseOulipo Queneau contrainte sonnet variatio
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il volto della morte: le maschere funerarie della sepoltura dei preti morti di Gangi

2014

riassunto — Le mummie moderne e il signifcato recondito della doppia sepoltura nelle culture mediterranee moderne sono da tempo ampiamente dibattuti. In questo lavoro si discute di una particolare “collezione” di corpi di ecclesiastici, mummifcati ed esposti in un comune montano madonita della Sicilia, Gangi. I corpi, principalmente risalenti al XIX secolo, mummifcati per colatura come nella tradizione del tempo e vestiti degli abiti talari, sono esposti nel piano sottostante della Chiesa Madre, in quella che nella tradizione è detta la “fossa dei parrini” (fossa dei preti). Le mummie, a differenza di altri siti siciliani e mediterranei, sono altresì corredate di sonetto commemorativo e di …

summary — The modern mummies and the inner meaning of the double burial in Mediterranean cultures have long been debated. In this paper we discuss a particular “collection” of ecclesiastical bodies mummifed and displayed in a small mountain town of Sicily Gangi in the Madonie Mountains. The bodies dating back to the nineteenth century mummifed by pouring in the tradition of the time and carefully dressed in robes are exposed in the lower foor of the Chiesa Madre in what the tradition is called “fossa dei parrini” (pit of priests). The mummies unlike other Sicilian and Mediterranean sites are accompanied by commemorative sonnet and death mask made of fnish wax. The primary interest of our study was aimed specifcally at this particular manifestation of the double burial complex which lies in the representation of the face. The work expresses an examination of the concept of death mask in antiquity and leads to the conclusion that the place for its scenic values ritualization should be designed to the ostentation and the consolidation of the image of the Church and of the his power within the small rural society.Settore BIO/08 - Antropologia
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